![]() ![]() Finally, push these changes to your remote repository with the git push command. Then use the git revert command followed by the commit hash, which will create a new commit that undoes those changes. The more time that has passed (or specifically the more changes that have been made since the commit that you want to rollback), the greater the chance for conflicts. To do this, first identify the commit you want to revert using the git log command and note down its hash. Keep in mind, though â nothing says that this will be without file conflicts. Once you have this, you can run the command git revert -m 1 You can look this up in your UX tool or with a git command. The is the first 7 characters of the commit guid.Get the commit hash of the merge commit â this is the commit that is the merge into the branch.Of course, this is git, and your goals may be different â you may want to start a branch from the reverted changes! The possibilities are endless⦠if you permanently want to go back to that commit. And if that were not enough, if everything checks out, you can now commit the reversed changes back into the correct branch. this will give you the commit id with message through which you can identify your commit id. git revert This will undo the most recent commit.perform a build and some bench testing) to make sure that it did what you wanted. The simplest way to undo a commit in git is by using the revert option. Also, this will put you in a good position to test the reverted changes (i.e.This is because, when you revert the merge, the reverse changes will be calculated against the target branch of the original merge.Make sure that you have checked out the branch that has been merged to.Here are some things that you need to do before running the command to revert: I like to use SourceTree for day to day operations, but not for reverting a remote branch. Sometimes you need to revert a merge that was made some time ago and has been integrated into another branch (probably master, but it could be any branch). ![]()
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![]() ![]() ![]() If your store windows need a little dressing up or you have a large sale coming up, be sure to consider a custom static window cling. They are easy to put up and does not require special adhesive (material has low tack adhesive and exposed when backing release line is removed). Due to the design of a window cling, they can be viewed from outside. Low Tack window clings stick to smooth surfaces such as glass. Window clings are a non-permanent advertising medium which provides full color images and text in a sign format to be placed on a window. Low Tack White Vinyl can produce great-looking image-intensive prints for wide range of applications. Low Tack White Vinyl Cling is a 3.4-mil flexible, matte white vinyl material designed for window graphics, POP graphics, special advertising, announcements and temporary indoor and outdoor signage.īacked by a low-tack, removable adhesive, this vinyl remains easy to install and remove in a wide range of temperatures.ĭue to the improved image quality and ease of installation, the Low Tack is a better alternative to static window cling for single use applications. Important: Our custom printed window clings are for Exterior window applications only. Window clings are a great way to advertise your business, sales and promotions on windows of your retail business location. Vinyl clings can be printed to your custom specified size up to 48" wide. ![]() Low Tack Window Clings are digitally custom printed in full color using solvent UV protected, fade resistant outdoor durable inks on 3.4mil matte white low tack vinyl material for exterior or interior applications. Printing and creating your custom window clings and graphics are made easy at ![]() ![]() ![]() Flume is a company that is truly attacking the core issues of how healthcare is delivered and managed,” said Ann Joo Kim, chief operating officer of Flume. “I’ve always been passionate about healthcare and inspired to enact meaningful change in the system. ![]() These companies are increasingly crippled with de facto annual premium increases and healthcare options for their employees that have such high premiums and deductibles that the concept of ‘care’ in the word ‘healthcare’ is an oxymoron. On average, Flume-designed plans save employers nearly $5,000 per employee per year.įresh off an equity round that brings total VC investment to $10M, Flume is delivering radical impact to its customer base of small and mid-sized self-insured businesses. ![]() By marrying active employer and member engagement with a tech- and data-forward product, Flume leapfrogs legacy health plan administrators’ capabilities. Flume’s administrator model allows self-insured employers and their workforces to unbundle their health plans and augment or replace legacy off-the-shelf plans with specialized providers who address specific populations with conditions such as MSK, pain, diabetes, mental health and many more. Launched in 2020, Flume Health is a new generation of health plan administrator (TPA) intentionally built to reduce healthcare costs, improve quality of care and transform the user experience for both employers and members. ![]() ![]() ![]() Stress fractures in the foot and ankle occur are most common in the metatarsal bones. As a result, the bone weakens and becomes vulnerable to stress fractures. ![]() With too much activity, the breakdown of older bone can occur rapidly and outpaces the body's ability to repair and replace it. New bone develops and replaces older bone. Overuse stress fractures occur when an athletic movement is repeated so often that weight-bearing bones and support muscles do not have enough time to heal between exercise sessions.īone is in a constant state of turnover - a process called remodeling. The repetitive force that causes a stress fracture is not great enough to cause an acute fracture - such as a broken leg caused by a fall or crash. They occur over time when repetitive forces result in microscopic damage to the bone. Many stress fractures are overuse injuries. Should a complete fracture occur, it will take far longer to recover and return to activities. Returning to activity too quickly can not only delay the healing process but also increase the risk of a complete fracture. Temporarily refraining from high impact activities is key to recovering from a stress fracture in the foot or ankle. The weight-bearing bones of the foot and lower leg are especially vulnerable to stress fractures because of the repetitive forces they must absorb during activities like walking, running, and jumping. In addition, if osteoporosis or other disease has weakened the bones, just doing everyday activities may result in a stress fracture. Stress fractures sometimes occur when people change their activities - such as trying a new exercise, suddenly increasing the intensity of their workouts, or changing workout surfaces (jogging on a treadmill vs. You also typically experience point tenderness at the site of the fracture. Pain from stress fractures usually develops gradually and is worse during weight-bearing activities. Most stress fractures are caused by overuse and repetitive activity they are common in runners and athletes who participate in running-intensive sports, such as soccer and basketball. A stress fracture is a small crack in a bone, or severe bruising within a bone. ![]() ![]() ![]()
![]() The number of existing and new cases of a disease/ health-related condition is the _. Systematic error often introduced by a researcher two types are information and selection. True negative / (False positive + True negative) True positive / (True positive + False negative) When you have been exposed to a contagious pathogen like COVID-19 and are showing symptoms you have to go into _. ![]() When you have been exposed to a contagious pathogen like COVID-19 but not showing any symptoms yet you have to go into _. What type of prevention is a community-level weight loss program? This type of prevention is implemented after a disease or injury is established, the goal is to reduce morbidity or mortality. This type of prevention is implemented before there is evidence of disease or injury. When an agent can survive in many adverse environments, they have high _.Ī type of direct transmission whenever anyone coughs, sneezes, or talks.Ī type of indirect transmission spread by food, water, or inanimate objects. The capacity of an agent to produce poison is called _. When symptoms are very noticeable, the disease has high _. The capacity of an agent to enter a host and cause infection: a disease that easily spreads from one host to another has high _. What is in the middle of the epidemiological triangle? What is the organism that becomes infected by a disease called? What is the cause of a disease or health condition? If there are usually only 20 cases per year of Measles but in 2021, there were 50 cases of Measles, What is this called?ĬOVID-19 which affects countries throughout the world is considered a _. When a disease is always present no matter how small in a community we refer to it as an _. You can wear me round your wrist to monitor your health and I rhyme. Images produced by a computer and used together with a view of the real worldĪ device that measures acceleration or G-force Short for computer-assisted manufacturing.Ī condition or situation that causes problems, especially one that causes something or someone to be less successful than other things or people:Ī device that is used to record that something is present or that there are changes in something.Ī set of images and sounds, produced by a computer, that seem to represent a place or a situation that a person can take part inĪ device containing a wheel that spins freely within a frame, used on aircraft and ships to help keep them horizontal, and as a children's toy The act of stopping something from happening or of stopping someone from doing something.Ī system that can show the exact position of a person or thing by using signals from satellites The party with the fourth most seats in the house of commonsĪ person who has the job of watching or noticing particular things. Their job is to make sure the Prime Minister is still doing things that are good for the countryĪ person who runs for an election or job postition The leader of the party with the second most seats. Where the political parties that won a seat all join together to make rules for Canada and talk about what’s best for the citizens The party with the most amount of seats in the house of commons The party with the leader of Erin O’toole ![]() The party that mainly focuses on climate change and global warming To share your choice with others on a certain topic When a small amount of people holds power over everyone else When the community votes for a party that has one leader or representative The type of government when one person has power over all of the other citizens The type of government that leads a city or town The type of government that leads a province The type of government that leads a whole country Something that you will always be able to do ![]() ![]() ![]() On 1stDibs, find a wide range of antique, new and vintage earrings today.In the United States, ear piercing didn’t really become popular until the 1950s and ‘60s, but our desire for a dazzling pair of vintage earrings has deeper roots than that. While there is no shortage of modern earring designs to choose from, the classics, like coral earrings, Art Deco–style earrings and diamond drop earrings are still heavy hitters. ![]() Sure, jewelry trends and the fashion darlings of social media come and go, but earrings have a staying power that seems impenetrable: The still-strong love affair between British royals and Cartier earrings is more than a century old, glossy 1970s hoops from legacy houses such as Bulgari and Van Cleef & Arpels remain the statement makers they’ve always been and although people have been stacking earrings for many moons, the allure of an expertly mismatched stack of charms and studs still feels fresh and new. Today, ear piercing is very popular all over the world, and, as a result, it is difficult to overstate how much everyone pines for a good pair of earrings - modernist drop earrings, glamorous Victorian hoops, geometrically complex chandelier earrings, you name it. Hoop earrings are imbued with symbolism and cultural significance for many, and on view in the Metropolitan Museum of Art’s Ancient Near Eastern Art Gallery is a pair of simple gold hoops from Mesopotamia dating to between 26 B.C. Earrings worn by the affluent in early Roman civilizations were set with precious stones such as diamonds and pearls, and a clean-looking pop of pearl on the front of the lobe is as timeless as ever. The highest-quality emeralds are green or bluish-green. Emerald earrings are highly prized today, and their quality lies in their rich, saturated color. Women wore ornamental earrings - studs and hoops at the very least - in Ancient Egypt, which is home to mines that are among the earliest sources of emeralds in the world. In fact, wearing earrings actually goes back thousands of years, and you can find many tangible connections between now and then in how we continue to talk about these treasured accessories. In the United States, ear piercing didn’t really become popular until the 1950s and ‘60s, but our desire for a dazzling pair of vintage earrings has deeper roots than that. ![]() How Much are Antique Black Onyx Earrings? If you’re browsing the variety of antique black onyx earrings for sale, you’ll find that many are available today for women, but there are still pieces to choose from for men. Today, if you’re looking for round cut antique black onyx earrings and are unable to find the perfect match, our selection also includes mixed cut and cabochon alternatives. There have been many well-made iterations of these items over the years, but those made by Amyn The Jeweler and Romae Jewelry are often thought to be among the most beautiful. Pieces in our collection of antique black onyx earrings made by Art Deco jewelers - as well as those associated with Victorian - are very popular. Our collection is diverse and broad-ranging, and pieces in stock date back to the 18th Century while others were produced as recently as the 20th Century. ![]() Frequently made of Gold, 14k Gold and Yellow Gold, these items were constructed with great care. Find an expansive variety of antique black onyx earrings available on 1stDibs. ![]() ![]() ![]() You just need to right click and transfer them in the same order you have them in the original playlist you created while you're adding them to the autodj palylist. So even though they get deleted from the autodj playlist as they finish, you still have the original play list you created, as long as you save it. If you create a playlist by dragging songs from your music folder(s) into a playlist you're making, you can right click on each song in order and select Add to auto DJ Playlist. I fooled around with Mixxx some more, I really like it. Here are a couple of RockIt skins that I tweaked and used. I actually enjoyed that and miss not being able to easily customize a VDJ skin. When I was using it, I created several skins to my liking and preference. If I would not have made the jump to video, I would probably still be using RockIt. You gotta use what works best for you, not what others are using. a nice location for storing requests or special songs to quickly pull into the mix. Just open them up, drag-n-drop into the que listing if you'd like.īelow the center, you see the 'side list'. But, you can also create Playlists in VDJ as well and those would show up for you on the right hand side of the screen. In the bottom center, that's where your database folders can be viewed. Click that button and the software automatically fades from one deck to the other and you can set some parameters on how it does that as well. At the bottom is your total time for songs in the que, with individual song lengths listed as well.įor those that don't use a mixer, note the 'auto-mix' button in the upper center location. ![]() The green icon shows you a good match for the current song playing. They show the red icon, indicating they've been played. The songs won't delete after being played. Note on the right hand side, that is the que listing, with auto-remove turned off. Here is my Screenshot with VDJ.this skin can easily be used for audio or video (which I also do) with a few clicks of the buttons. I'm very happy with VDJ - which btw, does have the option to NOT remove played songs from the que listing. No, I don't have a need to check out other software. ![]() ![]() ![]() That's a good/ wonderful/ brilliant/ bad/ dreadful book. He's a good/ wonderful/ brilliant/ bad/ dreadful teacher. We can use these adjectives to describe almost any noun: good But it takes on a mounting sense of threat with each use, as the catastrophic potential of the physicist’s work becomes clear.We often have two adjectives in front of a noun: It’s taken from a moment of triumph and glory, the high point of Oppenheimer’s career. And there’s a recurring motif in the soundscape, a crescendo of thunderously stamping feet. Ludwig Göransson’s score is masterful and mercurial, surely one of the finest of the year. Like Jonathan Glazer’s upcoming The Zone of Interest, this is a film in which the horrors of war are not shown but conveyed inescapably through what we hear. Most effective, however, is the use of sound and music. Oppenheimer’s world is literally rocked by the shockwaves of the reaction that has been set in motion. Equally inventive is the way the sets seem to quake at moments of tension. But more interesting are the abstract moments it’s as though we are venturing into the heart of the atom itself. There’s no shortage of scenes of furious blackboard scribbling, the accepted cinematic signifier of scientific genius. Not surprisingly, given Nolan’s preference for shooting on Imax 70mm film, the picture has a depth of detail you could drown in. She does, however, claim a couple of terrific moments later on: a skin-flaying interrogation scene a wordless glare that conveys the full nuclear winter of her animosity towards a disloyal colleague.īut, for the most part, the film is a towering achievement. And Emily Blunt, as J Robert’s wife Kitty Oppenheimer, spends much of the first two hours mutinously clutching a martini on the edge of the frame. Florence Pugh, as Oppenheimer’s mistress Jean Tatlock, gets short shrift. There are other problems: the cursory treatment of the female characters is one. ‘A clenched fist looking for something to punch’: Matt Damon, left, as Lt Gen Leslie Groves, with Cillian Murphy as Oppenheimer. Nolan’s films frequently require a couple of viewings to unravel fully, and while it lacks the baffle-factor of Tenet, Oppenheimer is no exception. Time in Oppenheimer doesn’t feel entirely linear – there are moments, in particular a pivotal encounter with Albert Einstein, that seem unmoored from the rest of the film. Insights into his stellar early academic career are punctuated by glimpses of a later humiliating security clearance hearing that picked over every aspect of his life the development of the bomb – the so-called Manhattan Project – is cut together with another hearing, this time in the Senate, to establish whether Oppenheimer’s former colleague Lewis Strauss ( Robert Downey Jr, excellent) should be appointed in a federal government role. ![]() The version of Oppenheimer that we see on screen at any given time is a marker, an indication of which timeline we are currently inhabiting. Given Nolan’s preference for shooting on Imax 70mm film, the picture has a depth of detail you could drown in At other times he’s calm and glassily composed, somehow removed from jostling egos and the fusion of ideas that will take shape into the ultimate weapon. In one shot we see Oppenheimer hauling an armful of books into a new classroom, and it looks as though he’s buckling under the weight of his accumulated knowledge. He seems impossibly slight, a theoretical idea of a man in contrast to the robust certainties of the military figures he works alongside ( Matt Damon’s Lt Gen Leslie Groves, for example, is bullish and solid, a clenched fist looking for something to punch). In fact, Murphy’s physicality as a whole is one of the most potent weapons at the film’s disposal. Murphy’s far-seeing ice-chip eyes have never been put to better use. It’s a realisation that plays out, inexorably, in Oppenheimer’s hollow, haunted face as the film unfolds. Ultimately, however, the monster in this story is not Oppenheimer’s invention but the appetite for annihilation that it unleashes in mankind. Cillian Murphy’s Oppenheimer is an atomic-age Frankenstein, a man captivated by the boundless possibilities of science, realising too late that his creation has a limitless capacity for destruction. But perhaps more than all of this, Oppenheimer is the ultimate monster movie. It weaves together courtroom drama, romantic liaisons, laboratory epiphanies and lecture hall personality cults. Oppenheimer is a dense and intricate period piece, playing out in a tangle of timelines. ![]() But “biopic” seems too small a word to contain the ambition and scope of Christopher Nolan’s formidable if occasionally unwieldy latest. It’s billed as a biopic of theoretical physicist J Robert Oppenheimer, dubbed the “father of the atomic bomb”. ![]() ![]() ![]() ![]() My eyes began to rebel a mere hour into combing the many floors for sights and wonders. The amount of stuff in the Pitt Rivers museum… the combined haul of several centuries of global exploration, trade and possibly the odd bit of thievery… is pretty much overwhelming. A hop onto the Great Western Railway for a day out in Oxford visiting the Pitt Rivers museum provided me with ample opportunity to play with colour, light and shadow. This adds a depth and richness to the colour that is a pleasure to work with, providing you exercise restraint in post-processing when it comes to saturation. Another reason for shooting in JPEG was so that I could use the Colour Chrome effect found in the new wave of cameras such as the X-T3. You can read about those on this page here. I’ve decided to experiment first with JPEGs rather than RAW files, imposing a base layer of limitations upon myself and further tying myself to the in-camera custom-profile film-simulations I created a couple of years back for inspiration. So I’m taking it slowly with Capture One. An set of tools both powerful and subtle indeed but… well… one can see how easy it would be to fall down the rabbit-hole with such dangerous freedom. You could then follow up by adding even more styles in radiant filters, brushes and whole washes to the image. What this means in practice is that you could apply a style with a gradient filter to the lower portion of a landscape and dial back the strength until it balanced nicely with the sky. Happily with Capture One you can apply presets - now called ‘styles’ - to a layer, and in turn you can adjust the opacity of that layer. There was always the option of getting Adobe Photoshop, but that would have meant getting a subscription… and as I mentioned in my previous post I was somewhat unhappy with Adobe’s recent business practices.Įnter Capture One. What worked in enhancing a cloudy afternoon became overkill in a photograph shot in the golden hour, and although I was very happy with the intuitive simplicity and cataloguing of Lightroom, I was beginning to hunger for more control. The difficulty in applying them was that frequently they were too much, especially when applied to JPEG images. I used to create a lot of presets in Lightroom, nearly all of them based upon the looks of photographers I love. To quote Mervyn Peake, “I’d paint a dustbin if I found it beautiful.” The sweet-spot for me probably confusingly lies somewhere in-between, trying to apply the viewpoint of a hopeless romantic to banal, slightly depressing scenes. ![]() I’ve always loved both the dream-like splendour of technicolor - especially in the Powell & Pressburger films such as The Red Shoes and A Matter of Life & Death… but I have a huge love too for that dark, moody, autumnal aesthetic of the downbeat American movies of the seventies, found in such works as Badlands, Charlie Varrick and Being There. Not to the extreme almost graphic-design extent of Harry Gruyaert or Saul Leiter, but again in that rich Kodak memory way, trying to make something cinematic of the mundane. I’m finding that I want a certain plasticity, a colour and a mood to my images. One thing has struck me though… I’m not shooting documentary work, I’m taking a photograph to try to find something heightened, something beautiful in the commonplace. There’s even more possibility for confusion and second-guessing now. Recently I made the jump from Lightroom to Capture One, and I’ve become rather excited at the opportunities afforded by the powerful colour editing tools contained within… and rather daunted. Mostly, I wind up some place in-between and lean towards the rich look of the first true wave of colour photography - the straight topographical documentary work of Joel Sternfeld, William Eggleston and Stephen Shore and the rich colours and plasticity wrought by those early low speed Kodak slide films. It always ends the same way, I come back another night and look again and worry at how maybe I went too far, how I should dial everything back, try to ground everything in digital reality. trying to tease something out of a memory. I flick through my photography books and have my vision re-adjusted by the vibrancy of a Saul Leiter and begin to noodle away at past images…. Sometimes I feel I go too far in creating a mood, a false memory, pushing shadows and tinting skies… trying to evoke something that maybe was never there. I’ve ever been conflicted when it comes to colour. ![]() |
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